Preservation Lifecycle

The digital preservation lifecycle refers to all of the stages required to preserve and sustain access to digital content; from creation to ingest, management and administration to access and reuse.

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Access, Use and ReuseCreate or Receive (Acquire)DisposalIngestPreservation ActionPreservation PlanningStorage

Articles

Special Invitation to DPC Members – Talk on EDGI’s Monitoring of US Federal Websites on Climate Change, Energy, and the Environment

Description Invitation to Attend a Talk by Raymond Cha of the Environmental Data & Governance Initiative (EDGI) on Monitoring US Federal Websites on Climate Change, Energy, and the Environment DPC Members have been invited to register for a talk by Raymond Cha of the Environmental Data & Governance Initiative (EDGI) on the Initiative’s work monitoring US federal websites. For the last year and a half, EDGI has been keeping track of around 30,000 US federal websites (.gov) for changes in...

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So Long, and Thanks For All the Bits: Migrating Your Data Between Repositories

The DPC invites you to join a briefing on repository migration: from choosing an application with a robust exit strategy to extracting valuable data from legacy systems. The day will feature speakers from various institutions, as well as demonstrations by a selection of repository vendors. In the afternoon, participants will join in a workshop session to explore and exchange approaches with other practitioners. Description Digital repositories are a safe place to hold our endangered digital...

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Web Archiving & Preservation Task Force Reconvened

Description This will be the first reconvened meeting of the Web Archiving & Preservation Task Force where participants will discuss and agree on the new Terms of Reference and commence discussions on the topics important to their institutions, their collections, and their users. The Task Force was first formed in 2010 in an effort to coordinate national web archiving programmes. In recent years, however, new developments in web archiving have emerged and many more organisations have turned...

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Invitation to participate in Maturity and Resourcing Survey for Digital Preservation

The Digital Preservation Oxford and Cambridge (DPOC) project in collaboration with the Digital Preservation Coalition (DPC) has developed a short survey intended to gather information from collecting and research organisations around the world who have a remit to manage digital content. The survey has a particular focus on staffing resources, but also briefly covers policy, strategy, and maturity modelling. Concrete information for benchmarking institutions against...

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What's Going On...

As anyone who has attended one of our ‘Getting Started with Digital Preservation’ workshops will know, I love maturity modelling (and talking at length about why I love maturity modelling…..) Whether you're looking for a light weight tech-focused approach like the NDSA Levels through to something more indepth like the Digital Preservation Capability Maturity Model, there's something out there for you. Why am I such an advocate for this process, you ask? It’s because I believe that if you’re...

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User access to born-digital archives: first steps for Wellcome Collection

The post was written by Victoria Sloyan, Archivist at the Wellcome Collection Last November, the Collections Information Team at Wellcome Collection and Dr James Baker from the University of Sussex organised a workshop to bring together researchers and archival professionals to explore methods for providing access to born-digital archives. Wellcome has been acquiring born-digital records for over a decade. Initially, the focus was on encouraging donations of digital media and getting hold...

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Netherlands Institute for Sound and Vision seeks server-side web archiving case studies

The Netherlands Institute for Sound and Vision has begun investigating strategies for the preservation of complex dynamic websites that cannot be captured with current web crawling tools. The team would like to explore whether server-side web archiving could be a promising strategy to deal with this task. However, this is unexplored territory and they are keen to learn how other institutions would approach similar challenges. 

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What exactly did I get up to last year?

Another year flies by very quickly. Happy 2018! Always a useful time to sit back and think about what was achieved last year. So I started off the year with an ambitious list of things that I wanted to achieve (note to self - *never* do that again!) As usual I had a mixture of successes and setbacks. All of this helps contribute to both my own understanding about how to work effectively in digital preservation and hopefully the shared understanding of the wider community. Though I...

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Good Practice Takes Practice: Certification and Accreditation for Digital Preservation

Introduction Digital preservation seems more like a journey than a destination.  As technology changes so the processes and tools of effective preservation need to adapt and so good practice remains provisional: more accurately identified as a commitment to constant improvement than a single steady state.  Never entirely certain what success looks like, the digital preservation community has over the years developed several proxies for success and maturity of service.  The...

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Digital Preservation Milestones at the University of Sheffield

Chris Loftus is Digital Preservation Manager at the University of Sheffield Western Bank Library in the UK The first International Digital Preservation day allows us an opportunity to reflect on some of the milestones and significant events so far in the implementation of the University of Sheffield’s Digital Preservation programme. The Library became one of the early adopters of Rosetta, a Digital Preservation solution provided by ExLibris, in 2015. Following installation Rosetta...

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Preserving digital cultural heritage: Better together!

{jcomments on} Barbara Signori is Head of e-Helvetica at the Swiss National Library, Bern. The Swiss National Library has a mandate to collect, catalogue, store and disseminate the cultural heritage created in Switzerland and abroad by and about the Swiss. This sounds like a clear enough mission, but dig deeper and this mandate raises all sorts of tough questions especially in a digital world. First of all, what is digital cultural heritage? Obviously it goes far beyond e-books and...

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Web preservation demands access

Daniel Gomes is Arquivo.pt Service Manager for the Foundation for Science and Technology in Portugal. "Collect the web to preserve it?! I don't envy that job." That is a direct quote from my first "real-world" meeting. I was 23 years old, I had just graduated from the University and that was my first job. We were in the year 2000. One year later, we had developed a running prototype to perform selective collection of online publications. It was the first effort to preserve the...

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The Costs of Inaction: advocating for digital preservation

Neil Beagrie is Director of Consultancy at Charles Beagrie Ltd Illustration by Jørgen Stamp digitalbevaring.dk CC BY 2.5 Denmark Traditionally the major challenge in digital preservation has been seen to be technology obsolesence.  However, arguably the organisational challenges, particularly funding (and advocacy for funding), have proved to be much more significant over time. In recent years an increasing number of community efforts have focussed on helping organisations to...

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Plans are my reality

{jcomments on} Yvonne Tunnat is Preservation Manager at the ZBW Leibniz Information Centre for Economics I was fresh from university when I started my job as a preservation manager in October 2011 at the ZBW. Having taken a module named “Digital Preservation” during my studies of library and information science and after a 9-week-internship at the Digital Preservation Department of the university of Utah, I obviously was the best they could find for the job, although I knew next...

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Where is the real risk?

Carl Grant is Associate Dean/Chief Technology Officer at University of Oklahoma Libraries It’s always one of my goals in my role, to watch emerging technologies and to try and identify those that, per the model Geoffrey Moore established, will “cross the chasm” (https://en.wikipedia.org/wiki/Crossing_the_Chasm ) and have an impact in research and pedagogy.  This is always a risky move.  You can be totally wrong, spend a fair amount of money and have little to show at the...

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Digital Preservation of Indian Cultural Heritage: Issues and Challenges

{jcomments on} Dr. Ramesh C Gaur works at the Jawaharlal Nehru University At the outset, let me congratulate all on initiating 30th November as the International Digital Preservation Day (IDPD17). My introduction to digital preservation started in 2005 when I visited Germany with the support of Max Mueller Bhawan. My three-week stay, one week each at Belfield University, Belfield; German National Library Frankfurt; and State Gottingen University Library, Gottingen; provided me...

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Dear IFI Irish Film Archive of five years ago

{jcomments on} Kasandra O’Connell is Head of the IFI Irish Film Archive in Dublin, Ireland Dear IFI Irish Film Archive of five years ago, I know you are filled with trepidation at the sudden need for the IFI Irish Film Archive to preserve Ireland’s digital moving image heritage alongside your analogue collections. The switch to digital formats within the film and broadcasting sector in Ireland has been sudden, encouraged by a government sponsored scheme enabling cinemas to...

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Fifteen years with digital preservation

{jcomments on} Zhenxin Wu is Professor of the Information System Department and Deputy Director of the Digital Preservation Center of Chinese Academy of Sciences at the National Science Library in Beijing, China   与长期保存共同成长的十五年        ...

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What does digital preservation mean to you?

{jcomments on} Jaye Weatherburn is Digital Preservation Officer at the University of Melbourne In a review conducted in 2016 for the University of Melbourne’s Digital Preservation Project, key research staff at the university were asked the question, What does digital preservation mean to you? The primary aim of this review was to identify and document gaps in service provision for research data management, and to highlight the main barriers impeding the implementation of sustainable...

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Digital Preservation at the University of Melbourne

{jcomments on} Jaye Weatherburn is Digital Preservation Officer at the University of Melbourne Background Three years ago, at the September 2014 meeting of Academic Board at the University of Melbourne, the Digital Preservation 2015–2025: Strategy[i] and Implementation Roadmaps[ii] were endorsed. By early 2016 the Digital Preservation Project team had formed and commenced the “Establishment phase” towards implementing the Strategy. A central aim of the Strategy is to establish a...

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